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Note: Unless otherwise indicated, all assignments are due Sunday at 11:59 pm.

Getting Started

READINGS

  • None

ASSIGNMENTS and ACTIVITIES

  • Read and complete the "Initial Activities" contained in the "Getting Started" folder.

Lesson 1: Your Introduction

READINGS

  • Creative Nonfiction, chapters 1-2
  • On Writing Well, chapters 1 & 11
  • Read Project One: The Event Story

ASSIGNMENTS and ACTIVITIES

  • Post an introduction of yourself as if you were being introduced into a story as a character. What does a reader (or classmate) need to know about you?
  • (MINOR WRITING ASSIGNMENT #1) List 10 different identities for yourself (e.g., student, Republican, Jew, boxer). Then, write a short paragraph describing yourself in each of these activities. (See Creative Nonfiction, 20-24)
  • Briefly summarize two articles and post to the Reading Response Discussion Forum and respond to one or two of your classmate's

Lesson 2: Research

READINGS

  • Creative Nonfiction, chapter 3
  • On Writing Well, chapters 2-3
  • Jon Franklin "Mrs. Kelly's Monster" (Intimate Journalism, 97-108)

ASSIGNMENTS and ACTIVITIES

  • Post a Reading Response to sample reading using Gerard as lens.
  • (MINOR WRITING ASSIGNMENT #2) For Lesson 1, you listed ten identities for yourself. Now, select one of those identities and write a scene that typifies that identity, or that exemplifies you participating in that activity. This scene should give concrete form to one of the passions in your life.

Lesson 3: On Assignment

READINGS

  • Creative Nonfiction, chapter 5
  • On Writing Well, chapters 4-5
  • Madaline Blais "In These Girls, Hope Is a Muscle" (Intimate Journalism,125-140)

ASSIGNMENTS and ACTIVITIES

  • By Wednesday, "Pitch a Story" for Project 1.
  • Post a Reading Response to sample reading using Gerard as lens.
  • (MINOR WRITING ASSIGNMENT #3) Go some place you've never been. Describe the setting (and the people you encounter). Write about the experience.

Lesson 4: Narrative

READINGS

  • Creative Nonfiction, chapter 7
  • On Writing Well, chapters 6-7
  • Walt Harrington "The Shaping of Her Dream" (Intimate Journalism, 297-320)

ASSIGNMENTS and ACTIVITIES

  • Post a Reading Response to sample reading using Gerard (Creative Nonfiction) as lens.
  • DUE: Draft for Peer Review—Sunday, 11:59 pm

Lesson 5: Peer Review and Revision

READINGS

  • Creative Nonfiction, chapter 10

ASSIGNMENTS and ACTIVITIES

  • Read and review the drafts submitted by the members of your group in accordance with the instructions on the review sheet. Return the drafts to the writers by Wednesday.
  • DUE: Final Event Story draft (to the instructor)—Sunday, 11:59 pm

Lesson 6: The Interview

READINGS

  • Creative Nonfiction, chapter 4
  • On Writing Well, chapter 12
  • Joseph Mitchell "Professor Sea Gull" and "Mazie" (Available online via electronic reserves)
  • Read Project Two: The Profile

ASSIGNMENTS and ACTIVITIES

  • Post a Reading Response to sample reading using Gerard as lens.
  • (MINOR WRITING ASSIGNMENT #4) Talk to a stranger. Pick a person—any person, someone you don't know—interview him or her, and write a short characterization.

Lesson 7: Structure

READINGS

  • Creative Nonfiction, chapter 9
  • On Writing Well, chapters 8-9
  • Susan Orlean "The American Male at Age 10" (Intimate Journalism, 43-58)
  • Walt Harrington, "True Detective" (Intimate Journalism, 245-273)

ASSIGNMENTS and ACTIVITIES

  • By Wednesday, "Pitch a (Profile) Story" to the class on the discussion forum
  • Post a Reading Response to sample reading using Gerard as lens.
  • (MINOR WRITING ASSIGNMENT #5) Etch-a-Sketch (painting from memory): From memory, describe someone who is important to you, someone you know well. Put your memories into a scene.

Lesson 8: Ethics

READINGS

  • Creative Nonfiction, chapter 11
  • On Writing Well, chapter 10

ASSIGNMENTS and ACTIVITIES

  • By Wednesday, Select and dissect a profile from a current periodical.
  • DUE: Draft for Peer ReviewSunday, 11:59 pm

Lesson 9: Peer Review and Revision

READINGS

  • Creative Nonfiction, chapter 10
  • On Writing Well, chapters 2, 3, and 10

ASSIGNMENTS and ACTIVITIES

  • Return the drafts and the completed review sheets to the writers by Wednesday.
  • DUE: Final Profile draft to the instructor: Sunday, 11:59 pm

Lesson 10: Features

READINGS

  • On Writing Well, chapter 20
  • Walt Harrington "A Writer's Essay" (Intimate Journalism, xvii-xlvi)
  • Gary Smith "The Man Who Couldn't Read" (Intimate Journalism,1-18)
  • Read Project Three: Feature-Length Article

ASSIGNMENTS and ACTIVITIES

  • Post a Reading Response to sample reading using Harrington as lens.
  • (MINOR WRITING ASSIGNMENT #6) Submit three possible feature-length story ideas. For each idea, specify the theme and how you intend to research the story.

Lesson 11: Venues

READINGS

  • Creative Nonfiction, chapter 6
  • On Writing Well, chapter 21
  • David Finkel "TV Without Guilt" (Intimate Journalism, 77-93)

ASSIGNMENTS and ACTIVITIES

  • By Wednesday, "Pitch a (Feature) Story" for Project three.
  • Post a Reading Response to the reading using Gerard as lens.
  • (MINOR WRITING ASSIGNMENT #7) Submit three potential venues for your article. Explain why you think these magazines will make good vehicles for your story.

Lesson 12: Dissection

READINGS

  • Gannon "The Body Farm" and analysis/dissection (available online via electronic reserves)
  • On Writing Well, chapter 22

ASSIGNMENTS and ACTIVITIES

  • By Wednesday, post a link to the article AND a one- or two-page dissection of it on your team’s Lesson 12 Response (Dissection) discussion forum.
  • (MINOR WRITING ASSIGNMENT #8) Dissect a feature article from the magazine to which you plan to submit.
  • Compare and contrast two of your fellow students' articles. Post this comparison to your team's Lesson 12 Response (Compare/Contrast Articles) discussion forum.

Lesson 13: Refining Your Story

READINGS

  • On Writing Well, chapters 23 and 25

ASSIGNMENTS and ACTIVITIES

  • DUE: Draft for Peer ReviewSunday, 11:59 p.m.

Lesson 14: Peer Review and Revision

READINGS

  • None

ASSIGNMENTS and ACTIVITIES

  • Return the drafts and the completed review sheets to the writers by Tuesday.
  • DUE: Final Feature-Length Article—Friday, 11:59 p.m.
  • Complete and submit your SRTE Evaluation.

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