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Syllabus

LL ED 502 Studies in Literature for Children (3):

Study of various genres of children's literature from various critical perspectives; emphasis on role of literature in children's lives. Prerequisite: LL ED 402.

The information contained on this page is designed to give students a representative example of material covered in the course. Any information related to course assignments, dates, or course materials is illustrative only. For a definitive list of materials, please check the online catalog 3-4 weeks before the course start date.



Overview

This course is about ideas, the kinds of ideas that help teachers, teacher educators, librarians, parents, and scholars think more deeply about children's literature. Frank Smith wrote in Reading without Nonsense that teachers have no shortage of advice on how to teach reading to children. There are hundreds of books available that advise teachers on which methods to use and how to use them. What teachers do need, according to Smith, is theory, theory that helps them understand what reading is, select the most appropriate advice, and develop their own practice. This course is based upon the premise that there is nothing so practical as a good theory. Theory helps us to see the possibilities of a book and the possible pedagogical practices we might employ around that book. Theory focuses our attention on text and shapes the meanings we make of that text.

We use ideas with which to think. This means how we build theory, the ideas we hold and eventually make tacit, are vital to what we believe about ourselves, about others, about children, about teaching, and about literature. This course is about provoking those assumptions and asking the reader to consider other possibilities of meaning.

Reading children's literature, like reading any genre of literature, is about reading what is there in the text so that we might fill in what the text doesn't state explicitly. Put another way, we attend to the signs of the text so that we can fill in the gaps. It is how we attend and how we fill in the gaps that give form to the interpretations of literature we make.

To read literature we need a repertoire, a body of knowledge about language, literature, and life and as part of that repertoire a set of strategies for using our knowledge to interpret text. This course is about stretching the repertoire of teachers and expanding their strategies for making meaning of children's books.

Learning isn't something we do alone. We learn from each other and with each other. Carole Edelsky and other progressive language educators have argued persuasively that demonstration is vital to children's literacy learning. According to Edelsky, children need to see demonstrations of the literacy they are trying learn. The teacher-parent-librarian, then, isn't just another reader in the classroom but a demonstrator of what is possible in reading literature. The teacher's repertoire and the strategies the teacher employs are loud and clear calls to children on potential ways to approach and interpret the books they read.

As much as some educators talk about "exploring" books with children, the teacher or any adult for that matter, isn't just another explorer. Students in classrooms take their interpretive cues from the teacher. By showing what she attends to in a text, by the questions she asks, the teacher demonstrates an interpretive posture. If children are going to grow as interpreters of texts, they are going to need to see demonstrated various ways of interpreting literature. If the teacher or other adult isn't showing much, if anything, in how he or she attends to literature, then the children are left to interpret their reading by reproducing strategies they pick up elsewhere. Some children may be fortunate enough to have accomplished readers of literature at home and thus may see demonstrated many possible strategies for interpreting text. But for most children the most accomplished readers they will encounter will be their teachers. Thus it is vital to the learning of children that their teachers continue to grow as readers of literature. This course addresses this need.

Typically, we tend to divide pedagogy into teacher-centered or child-centered education. Because the focus of this course is upon the teacher as a reader of children's literature, the temptation may be to see this course as advocating teacher-centered pedagogy. That would be a mistake. This course is neither teacher-centered nor is it child-centered. It is relationship-centered; the relationships readers form with texts and with one another. This course is about exploring, exploring something in particular, children's books, with a knowledgeable guide. This course is about the repertoire of children's literature and the strategies knowledgeable guides might employ to understand this literature and to teach to their fellow explorers. The focus, then, is neither with teacher nor with child nor with the text, but rather the focus is upon the interpretive space that resides among the three.

In this course you are going to try on different theoretical lenses to gaze at children's books. We will be doing this in a playful manner, not seeking for one, absolute correct meaning, but rather to enjoy the mysteries and ambiguities that fine literature offers readers. For the most part we'll be reading middle grade novels with a few picture books sprinkled in. These books are books that have been well-reviewed and/or are wildly popular.

So, this class will take a tour of several important theories and ideas from literary criticism on children's literature and show the connection these theories have on which books get read in classrooms and how these books get read. Because these theories are all anchored in dominant culture, they often play out in educational practice in unconscious forms. The point of the course is to make these theories explicit and conscious to adult readers of children's books.

Studies in Literature for Children also includes completion of the Collaborative Institutional Training Initiative (CITI) Social and Behavioral Responsible Conduct of Research (RCR) Course, and five hours of discussion-based responsible conduct of research (RCR) education required as part of the Scholarship and Research Integrity (SARI) initiative.  (See the Major Assignments section of the syllabus.)  We will consider RCR topics such as acquisition, management, sharing and ownership of data; publication practices and responsible authorship; and human subjects protections.  Our discussions about RCR topics will concern research in general, as well as issues related to research in children’s literature studies. 


Student Expectations

A Web-based course grants you a great deal of freedom, but also a great deal of responsibility. While you don't have a fixed schedule of classes, you do have a fixed schedule of deadlines by which assignments must be completed. In general, you should expect to put in about as much work, and about as many hours, as you would for a traditional resident-instruction course.

Be aware that there is much reading in this course. Pace yourself accordingly and don't allow yourself to get behind. This class is also highly participatory as you will be in electronic discussions with your classmates throughout the term.


Objectives

Throughout this course you will:

  • Learn about the Tell Me framework for exploring stories.
  • Consider childhood as an idea and children's literature as a social project.
  • Stretch your strategies and repertoire for reading children's literature.
  • Consider issues of race, class, and gender in children's literature.
  • Look at the role subversion plays in children's books.
  • Consider what role colonialism might play in children's literature.
  • Read in a playful manner.

Materials

Most World Campus courses require that students purchase materials (e.g., textbooks, specific software, etc.). To learn about how to order materials, please see the Course Materials page. You should check LionPATH approximately 3–4 weeks before the course begins for a list of required materials.


Library Resources

Many of the University Libraries resources can be utilized from a distance. Through the Libraries website, you can

  • access magazine, journal, and newspaper articles online using library databases;
  • borrow materials and have them delivered to your doorstep—or even your desktop;
  • get research help via email, chat, or phone using the Ask a Librarian service; and
  • much more. 

You must have an active Penn State Access Account to take full advantage of the Libraries' resources and service.  The Off-Campus Users page has additional information about these free services.


Technical Specifications

Technical Requirements
Operating System

Canvas, Penn State's Learning Management System (LMS), supports most recent versions of Microsoft Windows and Apple Mac operating systems. 

To determine if your operating system is supported, please review Canvas' computer specifications.

Browser

Canvas supports the last two versions of every major browser release. It is highly recommended that you update to the newest version of whatever browser you are using.

Please note that Canvas does not support the use of Internet Explorer. Students and instructors should choose a different browser to use.   

To determine if your browser is supported, please review the list of Canvas Supported Browsers.


Note: Cookies must be enabled, and pop-up blockers should be configured to permit new windows from Penn State websites.
Additional Canvas Requirements For a list of software, hardware, and computer settings specifically required by the Canvas LMS, please review Canvas' computer specifications.
Additional Software

All Penn State students have access to Microsoft Office 365, including Microsoft Office applications such as Word, Excel, and PowerPoint.

Students will need a PDF reader, such as Adobe Reader.

Hardware

Monitor: Monitor capable of at least 1024 x 768 resolution
Audio: Microphone, Speakers
Camera (optional, recommended): Standard webcam - many courses may require a webcam for assignments or exam proctoring software.

Mobile Device (optional) The Canvas mobile app is available for versions of iOS and Android. To determine if your device is capable of using the Canvas Mobile App, please review the Canvas Mobile App Requirements.


Student Education Experience Questionnaire (SEEQ)

During the semester you will receive information for completing the Student Education Experience Questionnaire (SEEQ). Your participation is an opportunity to provide anonymous feedback on your learning experience. Your feedback is important because it allows us to understand your experience in this course and make changes to improve the learning experiences of future students. Please monitor email and course communications for links and availability dates.


If you need technical assistance at any point during the course, please contact the Service Desk.

For registration, advising, disability services, help with materials, exams, general problem solving, visit World Campus Student Services!


Course Requirements and Grading

Major Assignments
  1. Posting on Discussion Forums (30% of your grade). Because we meet only in cyberspace, it is vital to post during each lesson. I expect you to post in a thoughtful and pertinent manner to each of the threaded discussions. Not only should you respond to the readings, but you should also respond to the ideas and questions put forth by your fellow classmates. At a minimum, you are expected to make at least one initial post and two replies to classmates for each threaded discussion. Each lesson is active for a week, which runs from Wednesday to Tuesday (unless noted otherwide on the course schedule). I encourage you to complete your initial posts by Sunday evening so that there will be ample time for discussion.
  2. Response Assignments (50% of your grade) Throughout the course you will be asked to submit a variety of response assignments. Response Papers #1 and #3 will be a 1,000-1,250 word reaction to the readings that were assigned in the previous weeks (please, read the weekly announcements for the specifics). The response paper is an opportunity for reflection, further exploration, and synthesis. If there is overlap between what you shared in a forum and your paper, be sure that you are saying something new. Response papers may focus primarily on one particular scholarly piece and one children’s book. Responses #2 and #4 will be slightly different. More guidelines to follow.
  3. Tell Me Paper (20% of your grade). There are two options: the first considers you as a reader and the second centers the child as a reader. Select a children's book of your choice that is not a required book for this course. If you're especially interested in a series, you could select one book from that series. Read or reread the book, looking at it through the lens of one or two of the theories discussed in the course. Tell the story of your reading of that book in a paper of 1,500 to 2,500 words. You should use a minimum of five scholarly sources in your paper, and papers should be written in APA or MLA style. Or tell the story of a child's reading of a book of choice. More guidelines and rubrics to follow via the weekly announcements.

Late Policy

Assignments are due by 11:59 p.m. (Eastern Time) on the due date and will be considered late if submitted after this deadline.  Unless you have contacted me beforehand and received an extention, two points will be deducted.  In the event of an emergency, contact me as soon as possible.

Course Philosophy

A Note on Risk Taking. In this course we value risk taking. If you can connect your idea to the assigned readings, or to your own research, or to something you read on the discussion forum, then please take the risk and share your idea.

Shared Student Resources Repository and Discussion

As you work through this course, you will discover and engage in a variety of resources outside of the required material. You are encouraged to share the resources you have uncovered with your classmates in this collaborative space. The Shared Student Resource Repository and Discussion is nestled in its own lesson, which is located after Lesson 14: Spirituality and CaringNote: As this is not a graded activity, you are not required, only encouraged to participate.

When posting your resources, please use the title of the resource and correlating lesson number for the title of your post. Furthermore, when posting a resource, please try to:

Semester Grading
ActivityPercent of Grade
Semester Grading
Threaded Discussion30%
Response Assignmets: Response Papers 1 & 3 (10% each) ; Response #2 Reader Profile (15%); Response #4 Multimedial Response (15%)50%
Tell Me Paper20%
Semester Total100%

The World Campus follows the same grading system as the Penn State resident program. The grades of A, B, C, D, and F indicate the following qualities of academic performance:

A = (Excellent) Indicates exceptional achievement
B = (Good) Indicates extensive achievement
C = (Satisfactory) Indicates acceptable achievement
D = (Poor) Indicates only minimal achievement
F = (Failure) Indicates inadequate achievement necessitating a repetition of the course in order to secure credit

Letter GradePercentage
A95-100
A-90-95
B+85-90
B80-85
B-75-80
C+70-75
C65-70
D60-65
Fbelow 60

Please refer to the University Grading Policy for Graduate Courses for additional information about University grading policies.

Course Schedule

Note: If you are planning to graduate this semester, please communicate your intent to graduate to your instructor. This will alert your instructor to the need to submit your final grade in time to meet the published graduation deadlines. For more information about graduation policies and deadlines, please go to the Graduation Information on the My Penn State Online Student Portal.

Lesson 1 - Course Introduction
Readings:

Textbook

  • No readings assigned this week.
Assignments:
  • Contribute to the Discussion Forum.
  • Practice using e-mail (optional).
  • Practice submitting assignments (optional).
Lesson 2- Playful Reading
Readings:
  • Chambers, Tell Me: Children, Reading, and Talk
  • Gantos, Dead End in Norvell
Assignments:
  • Contribute to the threaded discussions.
Lesson 3- Childhood
Readings:
  • Textbook

  • Keywords for Children's Literature: "Childhood" and "Children's Literature"

    Note: Most of our keyword essay readings are from the second edition of Keywords for Children's Literature, edited by Philip Nel, Lissa Paul, and Nina Christensen; some of them are from the from the first edition, edited by Nel and Paul.  Essays assigned from the first edition are available via links to the publisher's website.  You'll see these links in the syllabus and associated lesson pages.
  • Pullman, I Was a Rat.
  • E-Reserves (To access these articles, click on the Library Resources link in your Course Navigation Menu.)

  • Nodelman, Perry and Mavis Reimer. "Common assumptions about childhood." The Pleasures of Children's Literature. Boston. Allyn and Bacon. 2003. pp. 95-107.
    • Note: This book, ISBN: 0801332486, will be useful in all of the courses in this program, which is why it's a recommended but not required purchase.
Assignments:
  • Contribute to the Discussion Forum.
  • Submit First Response Paper.
Lesson 4 - The Reader in the Book
Readings:
  • Chambers, "The Reader in the Book," pp. 34-58 (Library Reserves)
  • Gantos, Joey Pigza Swallowed the Key
  • Haddon, The Curious Incident of the Dog in the Night-Tine
Assignments:
  • Contribute to the threaded discussion.
Lesson 5 - Suberversion/Inversion/Transgression
Readings:

Textbook

  • Dr. Seuss, The Cat in the Hat
  • Lindgren, Pippi Longstocking
  • Pullman, I Was a Rat

E-Reserves (To access these articles, click on the Library Resources link in your Course Navigation Menu.)

  • Stallybrass, P. & White, A. "Introduction." The Politics and Poetics of Transgression, 1-26. Ithaca, NY: Cornell, 1986.

Other Readings

  • Menand, Louis. "Cat People." The New Yorker. (December 2002): 148-154.
  • The new Pippi Longstocking? Hunt for new foreign stars of children’s literature (2016): https://www.theguardian.com/books/2016/sep/03/hunt-for-new-foreign-stars-pippi-longstocking-childrens-books
Assignments:
  • Contribute to the threaded discussion.
Lesson 6- Reading Multiculturally; Reading Creatively
Readings:
  • Hade,"Reading Children's Literature Multiculturally," pp. 233-256 (Library Reserves)
  • Nel & Paul, "Race" "Class" "Gender" "Multicultural"
  • Yenika-Agbaw, “Black Cinderellas:  Multicultural Literature and the School Curriculum” (Optional, Library Reserves)
  • Erdrich, The Birchbark House
  • Taylor, Roll of Thunder, Hear My Cry
Assignments:
  • Contribute to the threaded discussion.
  • Form groups to prepare for Response Paper #2: Reader Profile and Library Card. Start working on Response Paper #2.
Lesson 7 - Literacy Policy, the Common Core, NAEP, and the Reading of Children's Literature in the Schools
Readings:
  • Nel & Paul "Education," "Literacy" and "Reading"
  • Common Core:  English Language Arts: Reading Literature 
  • Common Core Curriculum Maps  
  • Test Your Common Core Savvy.  
  • Holladay, "The Character of Our Content" 
  • Pullman, I Was a Rat
  • Martin, "The Snow Woman," pp. 28-33 (Library Reserves)
Assignments:
  • Contribute to the threaded discussions.
  • Submit Second Response Paper: Reader Profile.
Lesson 8 - Masculinities
Readings:
  • Pollack, "Stories of Shame and the Haunting Trauma of Separation," pp. 20-51 (Library Reserves)
  • Hade & Xu  "Lost Boys and Dead Dogs" (Click on the link in the lesson to obtain this reading.)
  • Nel & Paul "Boyhood"
  • Spinelli, Wringer
  • Gardiner, Stone Fox
  • Waber, Ira Sleeps Over
Assignments:
  • Contribute to the threaded discussions.
Lesson 9 - Femininities
Readings:
  • Nel & Paul, "Girlhood"
  • Paul, "Enigma Variations: What Feminist Theory Knows About Children's Literature," pp. 148-16 5 (Library Reserves)
  • Paul, "From Sex-Role Stereotyping to Subjectivity," pp. 112-123 (Optional, Library Reserves)
  • Paul, "Feminism Revisited," pp. 114-127 (Library Reserves)
  • Burnett, The Secret Garden
  • Paterson, Bread and Roses Too
  • Martin, "The Snow Woman"
Assignments:
  • Contribute to the threaded discussions.
Lesson 10 - Love and Loss
Readings:
  • Rustin & Rustin, "Introduction: Deep Structures in Modern Children's Fiction," pp. 1-26 (Library Reserves)
  • Rustin & Rustin, "The Maternal Capacities of a Small Boy," pp. 104-118 (Library Reserves)
  • Banks, The Indian in the Cupboard
Assignments:
  • Contribute to the threaded discussion.
Lesson 11 - Colonialism and Postcolonialism

Readings:

  • Dorfman, "Of Elephants and Ducks," pp. 17-64 (Library Reserves)
  • Nel & Paul "Empire" "Postcolonial"
  • Hade & Brush, "Performing Homelessness"(This will be available via the activities link during the lesson.)
  • De Brunhoff, The Story of Babar
  • Sherman, The Absolutely True Story of a Part-Time Indian
  • Banks, The Indian in the Cupboard
  • Bunting, Fly Away Home

Assignments:

  • Contribute to the threaded discussion.
Lesson 12 - Reading Literature in a Global Economy
Readings:
  • Nel & Paul, "Marketing"
  • Hade, "Storyingselling," pp. 509-517 (Library Reserves)
  • Hade, "Lies My Children's Books Taught Me," pp. 153-164 (Library Reserves)
  • Taxel, "Children's Literature at the Turn of the Century," pp. 145-197 (Library Reserves)
  • Altenderfer et al, “Traditional Tales & Literacy:  Pre-service Teachers’ Transmediation of Hansel and Gretel” (Optional, Library Reserves)
  • Adler, Meet Samantha
  • Tripp, Nellie's Promise
Assignments:
  • Contribute to the threaded discussion.
  • Submit Third Response Paper.
Lesson 13- Reading and Learning with Literature
Readings:

Textbook

  • Gile, Oh, How I wished I Could Read
  • WaberIra Sleeps Over

E-Reserves (To access these articles, click on the Library Resources link in your Course Navigation Menu.)

  • Fludernik, M. “Narrative and Narrating,” Chapter 1 from An Introduction to Narratology, 2009: pp. 1-7. 
  • Nikolajeva, M. (Chapter 3: "Knowledge of Other People") from Reading for Learning: Cognitive Approaches to Children’s Literature, Amsterdam:  John Benjamins Publishing Company, 2014. 75-99.
Assignments:
  • Contribute to the threaded discussion.
  • Submit Fourth Response Paper (Multimedial Response).
Lesson 14 - Spirituality and Caring 
Readings:

Textbook

  • Taylor, Roll of ThunderHear My Cry

E-Reserves (To access these articles, click on the Library Resources link in your Course Navigation Menu.)

  • Hade, D. D. "Living Well in a Time of Terror and Tests: A Meditation on Teaching and Learning with Literature." Trends and Issues 15 (2002): 293-303.
  • Fox, A., Gerhart, S., Khairat, A., Sommers, C., Yenika-Agbaw, V. "The Pleasure of Reading The Diary of a Wimpy Kid Series." The Dragon Lode. 35.2 (2017): 27-37. (Optional)
Assignments:
  • Contribute to the threaded discussion.
  • Submit Tell Me paper.  
  • SEEQ Student Evaluation

Formal instruction will end on the last day of class. Provided that you have an active Penn State Access Account user ID and password, you will continue to be able to access the course materials for one year, starting from the end date of the academic semester in which the course was offered (with the exception of library reserves and other external resources that may have a shorter archival period). After one year, you might be able to access the course based on the policies of the program or department offering the course material, up to a maximum of three years from the end date of the academic semester in which the course was offered. For more information, please review the University Course Archival Policy.


Academic Integrity

According to Penn State policy G-9: Academic Integrity , an academic integrity violation is “an intentional, unintentional, or attempted violation of course or assessment policies to gain an academic advantage or to advantage or disadvantage another student academically.” Unless your instructor tells you otherwise, you must complete all course work entirely on your own, using only sources that have been permitted by your instructor, and you may not assist other students with papers, quizzes, exams, or other assessments. If your instructor allows you to use ideas, images, or word phrases created by another person (e.g., from Course Hero or Chegg) or by generative technology, such as ChatGPT, you must identify their source. You may not submit false or fabricated information, use the same academic work for credit in multiple courses, or share instructional content. Students with questions about academic integrity should ask their instructor before submitting work.

Students facing allegations of academic misconduct may not drop/withdraw from the affected course unless they are cleared of wrongdoing (see G-9: Academic Integrity ). Attempted drops will be prevented or reversed, and students will be expected to complete course work and meet course deadlines. Students who are found responsible for academic integrity violations face academic outcomes, which can be severe, and put themselves at jeopardy for other outcomes which may include ineligibility for Dean’s List, pass/fail elections, and grade forgiveness. Students may also face consequences from their home/major program and/or The Schreyer Honors College.

How Academic Integrity Violations Are Handled
World Campus students are expected to act with civility and personal integrity; respect other students' dignity, rights, and property; and help create and maintain an environment in which all can succeed through the fruits of their own efforts. An environment of academic integrity is requisite to respect for oneself and others, as well as a civil community.

In cases where academic integrity is questioned, the Policy on Academic Integrity indicates that procedure requires an instructor to inform the student of the allegation. Procedures allow a student to accept or contest a charge. If a student chooses to contest a charge, the case will then be managed by the respective college or campus Academic Integrity Committee. If that committee recommends an administrative sanction (Formal Warning, Conduct Probation, Suspension, Expulsion), the claim will be referred to the Office of Student Accountability and Conflict Response.

All Penn State colleges abide by this Penn State policy, but review procedures may vary by college when academic dishonesty is suspected. Information about Penn State's academic integrity policy and college review procedures is included in the information that students receive upon enrolling in a course. To obtain that information in advance of enrolling in a course, please contact us by going to the Contacts & Help page .


Accommodating Disabilities

Penn State welcomes students with disabilities into the University's educational programs. Every Penn State campus has resources for students with disabilities. The Student Disability Resources (SDR) website provides contacts for disability services at every Penn State campus. For further information, please visit the SDR website.

In order to apply for reasonable accommodations, you must contact the appropriate disability resources office at the campus where you are officially enrolled, participate in an intake interview, and provide documentation based on the documentation guidelines. If the documentation supports your request for reasonable accommodations, your campus's disability resources office will provide you with an accommodation letter. Please share this letter with your instructors and discuss the accommodations with them as early in your courses as possible. You must follow this process for every semester that you request accommodations.


Additional Policies

For information about additional policies regarding Penn State Access Accounts; credit by examination; course tuition, fees, and refund schedules; and drops and withdrawals, please see the World Campus Student Center website.

Veterans and currently serving military personnel and/or dependents with unique circumstances (e.g., upcoming deployments, drill/duty requirements, VA appointments, etc.) are welcome and encouraged to communicate these, in advance if possible, to the instructor in the case that special arrangements need to be made.



Disclaimer: Please note that the specifics of this Course Syllabus are subject to change, and you will be responsible for abiding by any such changes. Your instructor will notify you of any changes.



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